Tuesday, July 9, 2013

The Power of Sacrilege (or, God Said Haha)

by Charity Erickson

One cool fall evening in 2006, I resolved to do something horribly naughty. My curiosity had gotten the better of me. I snuck a bottle of Jamison into the Christian community house where I was living and locked myself in my bedroom. I was going to do the nasty deed.

I was going to watch The 40 Year Old Virgin.

I feared hellfire and judgment—at least, from my roommates. I laughed quiet, like this:

ron swanson, laughing, parks and recreation, nick offerman

Oh, and then this happened:

adam scott, whiskey, parks and recreation, nick offerman, ben wyatt, ron swanson
adam scott, whiskey, parks and recreation, nick offerman, ben wyatt, ron swanson 
adam scott, whiskey, parks and recreation, nick offerman, ben wyatt, ron swanson

And finally, this:

leslie knope, amy poehler, parks and recreation, thumbs up

I loved it. I LOVED it. And the thing I couldn’t get over—the biggest joke of all—was that this R-rated comedy ultimately affirmed abstinence as a life choice. Sure, it also introduced the term “f--- buddy” to the public lexicon, but in the end, the film portrayed a “virgin’s” wedding night in the same way a True Love Waits rally might—as a time of transcendent ecstasy, as something of value. (Though TLW would certainly not approve of that pagan music from Hair.)

I’d never heard of “purity culture” or any critique thereof, so at that time I was pretty excited about all things “virgin.” In The 40 Year Old Virgin I saw for the first time something I valued depicted on-screen in a way that didn’t make me want to excuse myself from normal society and slink away to die a pariah’s death outside the city walls, moldering in a puddle of embarrassment. I began a rather promiscuous love affair with entertainment media, and my views about what constituted “positive” entertainment started to change.

Judd Apatow, producer, writer, director, movies, stoner movies, buddy movies, creativeI was fascinated by the way Judd Apatow managed to weave themes of love, fidelity, responsibility, kindness and finding life’s meaning into his films while at the same time infusing his work with genuine humor. I had read some books about “Christian” filmmaking, all of which promoted the use of grand metaphors and symbolism as the means for presenting positive values—serious stuff. Where was the laughter, the joy?

In so much of “Christianized culture,” there is an absence of genuine humor. I submit this as the reason: Christians do not appreciate the power of sacrilege.

Duh, right? But really, it’s a travesty. Because it’s important that we get a little irreverent once and awhile—profane, even, if the situation calls for it—if we are to experience the fullness of life we are promised by Christ. Here’s what I mean:

Humor is about subverting social laws, and so is faith—but more on that later. When we sense a social law is being broken, it creates psychic tension—and laughter is one way in which humans respond to this tension. We laugh, because we feel free from social laws which are absurd and oppressive. I believe that truly satisfying humor goes further than subverting social norms—its presses us to reconsider our values, for the sake of affirming life, or revealing difficult truths.

Humor that creates tension without a release into a new perspective might make you chuckle for a time, but can leave you feeling like you just waded through a slough of oppressive yuck. Alternately, humor that “does something” is life-giving. Take Louis CK. Even when he is tearing into religious folks, he doesn’t do it simply to mock and denigrate. That would be cruel; the only person who would laugh at cruelty is a sociopath. No, Louis CK pushes back against the social laws guarding religious identities in order to expose hypocrisy and theologically-justified violence.
Louis C.K., stand-up, comic, microphone, funny, comedian 
Exposing sources of oppression promotes the cause of love in the world. This is why we feel like we can laugh along with Louis CK’s jokes even when they are at our expense. We recognize and identify with his goal: to see people freed from oppressive systems, so that somehow in this dark world, they might experience joy.

I have this fantasy of how the disciples responded whenever Jesus undermines the authority of the religious gatekeepers of his day. Like when the Pharisees question whether it is right for Jesus healing on the Sabbath, and he says, “Oh really?” And heals the guy anyway—in their synagogue, no less. I can see Jesus’ friends busting up behind him, shocked, but thrilled.

As you can see, in Jesus, we find sacrilege—stealing back what the religious law says we are not to have—to be a cornerstone of the Christian faith. He “subverts the norm,” paving the way for us to experience freedom from the laws that bind us and the joy that freedom brings.

When Jesus died on the cross, the temple curtains were torn in two—we recognize this as a symbolic dissolution of the barriers between us and what was once kept off-limits by religious social institutions. Our freedom to subvert the law is woven into the fabric of our faith, that we might achieve love, joy, and laughter. What a beautiful faith we have, and what a wonderful God, who would set us free from our own social laws—so that we could laugh. 

Charity Erickson and her husband Lance live and work together in the suburbs of Minneapolis, Minnesota. Check out her blog for more of her writing and follow her on Twitter @CharityJill. 

You can follow On Pop Theology on Twitter @OnPopTheology or like us on Facebook at www.facebook.com/OnPopTheology. 

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