by Sebastian Faust
“You shall not lie with a male as one lies with a female; it is an abomination.” – Leviticus 18:22
In my last podcast interview with Professor Baruch Levine on the text of Leviticus, I lamented that the prohibition on homosexuality is perhaps the text’s best-known passage within popular Christianity. For a book that otherwise receives so little attention among modern Christians, this verse (and its twin in Leviticus 20) looms grotesquely large, skewing our reading and leaving it disfigured, malformed.
While this shouldn’t be the only passage from Leviticus to which we give attention, I also don’t wish to sidestep the verse simply because it has become the battleground for such great struggles. Therefore, let us consider the ways in which we might approach it.
Obviously, some relish this law and have set it to memory, chapter and verse. They can recite it whenever the need arises and take great joy in the way the word ‘abomination’ rolls off the tongue; it has such a pleasantly sinister sound. Say it aloud with me: Abomination. Taste the sweet venom that drips from it, the feeling of power that courses through your blood. Abomination. Use it as a weapon against those whose behavior fills you with disgust. Use it as a shield against any who would decry you as a bigot. It’s ever so useful a verse.
But I say to you, whoever wishes to use scripture as a weapon must take pause. When Paul speaks of scripture as a sword, he writes explicitly that the struggle is most emphatically not with flesh and blood. And the author of Hebrews doesn’t allow you to wield this sword at all. Instead, it hangs balanced above us, slices into us, cutting joints from marrow, laying us bare to the bone, a vivisection of our very heart. No, if you relish the cruelty with which you can wield a verse such as this, if you take up this sword, you are to die by this sword.
Others come to this text with neither malice nor viciousness. They understand scripture as a map of moral terrain and this verse as a boundary stone, part of a cartographic line dividing territories. These things are endorsed within the realm; those things are restricted. They struggle with questions of genetic determinism and God’s proscription, yet feel that, if this is indeed the proper framing of the question, their only choice is to side with God. As difficult as the word is to say, as harsh and acrid as it feels upon the tongue, this must be, they say, an abomination in the eyes of God.
But when they explain where they’ve come out on the question, and why they are unable to reconcile same sex marriage within the church with this passage from Leviticus, they’re met with quips about shellfish. Or polyester.*
*Which, by the way? Unhelpful. And it’s a poor reading of the law code (though it’s a reading that, until recently, plagued even many scholars of the text). There’s a distinction that exists in the Law between ritual impurity (things like death and bodily discharges, and most similar to things like mixing crops and the dietary restrictions) and moral impurity (things like sexual sin, idolatry, murder, greed). This difference underlies discussions of the Law in certain sayings of Jesus and the writings of Paul. To fail to make this distinction is to offer an apple as refutation of an orange; it’s just a poor response. So, shellfish people? Stop it.
As unhelpful as such quips may be, they do point to selective way we handle the moral laws in Leviticus. So if you’d like to make use of one and dismiss your opponents out of hand, don’t bother with, “Sure it says homosexuality is wrong, but don’t you eat bacon?” Instead, choose the law about children calling down curses on their parents and its requisite death penalty. That will fit the bill nicely; you’re back to making proper equivalencies between moral purity laws, and if you deal with it less flippantly, you’ll actually be moving the conversation into a bit of terrain we need to traverse.
Because when we look at it, we immediately face a problem. Taken as it stands, the issue of parent-cursing doesn’t fit neatly into our culture. It’s not often you hear a child calling on the gods to smite their parents with boils, or to send them, still living, down into the darkness of Sheol. And so, we’re forced to engage in a bit of triangulation if we still wish to use it for moral instruction. We can redefine cursing as backtalk, or disobedience, or angry quarrels, but if we don’t make some adjustment, it is certainly nothing more than an obsolete verse, speaking so specifically to a distinct culture that it doesn’t quite apply to anything that exists among us today.
And therefore, others decide that the cultural differences are simply so vast that Leviticus 18 should be treated as nothing but the vestigial remains of an antiquated worldview. It is true that homosexuality, as it is now understood, bears only a vague resemblance to the subject of this prohibition, and that demands to be explored. But let us also say at the outset that we shouldn’t cling to the cultural distinctions simply as a way to side-step a difficult text and dismiss it. We needn’t employ a game of apologetics and pretend the Bible cannot say things we find objectionable; it certainly can.
Within Leviticus, this verse serves to name one of the practices of Israel’s neighbors that she is to avoid, practices that are said to have defiled the land and led to those neighbors being driven out. The chapter begins with the injunction, “You shall not do what is done in the land of Egypt . . . nor what is done in the land of Canaan.”
Within this context, we find that homosexuality carried certain connotations – first, it was a part of the cultic worship of certain deities, in whose temples and shrines one joined with the sacred by means of sexual union with temple priests. Second, it also carried the strong overtone of sexual assault; the violence of Sodom, the disturbing story of Judges 19, and likely, the act Ham perpetrated against Noah all speak of male-on-male sexual violence intended to degrade others and assert dominance.
That said, none of this fully matches the issues at play in this verse. Though some argue it’s entirely about cult prostitution, its context is larger than that. Likewise, it’s not addressed simply to male-on-male rape, or even a response to behaviors that might threaten progeny. Were we somehow to strip all those connections from the ancient Israelite mind, the fact remains likely that they would still view homosexuality as defiling.
Thus, we must also consider the connotations the concept did not carry with it. In the world in which this law came to be, nothing even remotely approximating a loving, monogamous homosexual relationship existed on Israel’s radar. It wasn’t experienced; it was essentially impossible to conceive of. This does not expunge Leviticus of this prohibition, but it must stop us short before we read the verse as though it’s speaking to our culture in some sort of a one-to-one correlation. It’s not.
We find ourselves in a blind alley when we begin thinking that way. We crash against our dependence on words like inerrant and infallible on one side and dismissing it outright on the other, and find ourselves bounded off by a false horizon of our own making. If the Bible teaches us anything, one of its great lessons is that there is room for new understanding.
There are many voices in the text, voices that ask, not to be flattened out, but to be heard and attended to, allowed to speak to one another and to us as well. There is room for dialogue, and room even for disagreement. The Bible is woven from a multitude of voices, presenting different sides of many debates; it is the record of discussion and of disagreement. And the remarkable thing about it is that those who came to power, who eventually held the capacity to quell the voices of those who disagreed with them, chose not to. They allowed them to stand; they preserved them for all who came after.
They allow to stand the pro-divorce rhetoric of Ezra alongside the anti-divorce prophet Malachi. They retain God’s statement that he holds the sins of one generation against its progeny, as well as his assertion that he does not. They place psalms of praise beside psalms that call God an oath-breaker. They repeatedly and consistently make room for differing views, for new understanding.
And the room they make is not an easy space. It is a chamber where we must stand before them all; it is the sharpened sword that pierces to the heart. To enter into the chambers of the difficult texts is to undertake a sacred struggle. We lay aside the garments of haughtiness and certainty, and we dare not take them up again when we come out limping on the other side. To enter in is to be marked by the struggle, and to come out changed.
What, then, to make of Leviticus 18:22? Though I know where I wind up and why, I still must be willing to say that there is room for a multitude of voices, even those that disagree with me. As with the voices of scripture, there are some that are not taken up into the conversation: the brutal rhetoric of those who use scripture as a weapon; the hollow testimony of those who refused to truly enter into vulnerability before the text.
But for all of those who have entered and faced the text, there is room to come out changed in different ways. There is room for those who see the prohibition as God’s moral decree for time universal, but who still will give their lives, even to those with whom they disagree, in humility and love. And there is room for those, like me, who see this text as one of the dividing walls between humanity that has been broken down by God in Christ. The lesson of the canon is this: you and I may disagree, and nevertheless, we may still dwell together humbly in the land.
Sebastian
Faust makes no claims to the throne and has no designs on small,
undefended countries. He takes life by the reins, bulls by the horns,
tigers by the tail, and lives a life rather ordinary in Nashville,
Tennessee. He currently holds the position of Dauphin at On Pop
Theology. You can’t follow Sebastian on Twitter because he doesn’t
understand technology, but he appreciates hand-written notes sent by
post or well-mannered carrier pigeon.
You can follow On Pop Theology on Twitter @OnPopTheology or like us on Facebook at www.facebook.com/OnPopTheology. If you'd like to support what we do, you can donate via the button on the right of the screen.
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Showing posts with label sin. Show all posts
Showing posts with label sin. Show all posts
Friday, May 16, 2014
Monday, April 14, 2014
On Pop Theology Podcast: Episode 57 - An Interview w/ Richard Beck
by Ben Howard
This week on the podcast I talk with blogger, author, and psychologist Richard Beck. They discuss the Church of Christ, the nature of psychology and theology, the label "progressive" and the importance of human experience. We'll also discuss Beck's new book The Slavery of Death, Eastern Orthodox theology and the concept of kenosis.
You can find Richard's books on Amazon and find more of his writing at Experimental Theology.
You can download the podcast by clicking here. Or you can subscribe to the podcast by searching "On Pop Theology" in the iTunes music store. If you like the show, please rate and review us on iTunes. It's the only way to prove to my mom that I have friends.
Finally, if you'd like to stream the podcast, you can do that here:
Peace,
Ben
You can follow On Pop Theology on Twitter @OnPopTheology or like us on Facebook at www.facebook.com/OnPopTheology. If you'd like to support what we do, you can donate via the button on the right of the screen.
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This week on the podcast I talk with blogger, author, and psychologist Richard Beck. They discuss the Church of Christ, the nature of psychology and theology, the label "progressive" and the importance of human experience. We'll also discuss Beck's new book The Slavery of Death, Eastern Orthodox theology and the concept of kenosis.
You can find Richard's books on Amazon and find more of his writing at Experimental Theology.
You can download the podcast by clicking here. Or you can subscribe to the podcast by searching "On Pop Theology" in the iTunes music store. If you like the show, please rate and review us on iTunes. It's the only way to prove to my mom that I have friends.
Finally, if you'd like to stream the podcast, you can do that here:
Peace,
Ben
You can follow On Pop Theology on Twitter @OnPopTheology or like us on Facebook at www.facebook.com/OnPopTheology. If you'd like to support what we do, you can donate via the button on the right of the screen.
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Friday, February 7, 2014
The Church is Unfaithful Because I Am Unfaithful
by Jacob Campbell
The people of God have a long history of unfaithfulness. In the Prophets, Israel is painted multiple times as an unfaithful wife in relation to the jealous husband God. Graphic sexual imagery exists throughout the Hebrew Bible, once even involving a comparison to horse genitalia, in depicting the disloyalty of Israel’s adultery. Yeah, that’s our Bible, people. That imagery is intended to describe just how far Israel had strayed.
What happened? What caused Israel to stray so far? They began to rely on others in place of God, to woo the powers and nations around them to provide their safety and their comfort. And at the same time, they became obsessed with piety and judgment, to the neglect of true worship and concern for the oppressed. Yet God remained faithful despite the actions of his spouse.
Now, the church, the bride of Christ, has been equally unfaithful, arguably more unfaithful. And here I am a part of it; as someone once said, the church is a whore, but she’s my mother. If the Church is the bride of Christ, I am one of her children. I’ve been raised and nurtured by a church that uses piety to distance itself from the ones God desires to draw near. And I can say that the church has not lived up to its commitment to Christ.
But why? What caused this betrayal of the teachings of Jesus? Why did we trade the Sermon on the Mount for the Law of Judgment? On a much more intimate note, why are we okay with it?
It’s painfully simple, really. Because the church is filled with people like me: broken, sinful, guilt ridden and full of doubt. The church is unfaithful to Christ’s mission because I have been unfaithful. I am one of the legion that sin and that causes the church to sin. And by and large, instead of wrestling with these issues of sin and doubt, we hide behind piety. Sure we are sinful, but we convince ourselves that an outward show of standing up against what God condemns makes up for whatever sin is in my own life. This breeds the specter of hypocrisy that turns so many post-moderns off to church and fuels their cynicism.
Rachel Held Evans expressed this sentiment so well in a recent post on CNN.com, saying, “we (millennials) want to be known for what we stand for, not what we are against.” Essentially, pounding your fist and railing about what you are against will always successfully reveal you to be a hypocrite. Because everyone sins. Let’s not allow our own insecurities drive our unfaithfulness. Easier said than done, right? Maybe, maybe not.
Grace is the key here. God stands for grace, first and foremost. It’s the constant theme, from Genesis to Revelation. And though I am complicit in being an unfaithful child of God, despite that, God still loves me. How can I not extend that same love to others?
Loving others is not simply preaching repentance as the portal to the Kingdom. Just telling someone about Jesus is not a full expression of love. Love is a relationship built up over time, enduring hurt and pain, but joy as well. It is loving another despite any choice they choose to make. And if they choose not to follow after God, still we must love them.
The balm that will heal the church is not a firmer stance against the world; it is, instead, making radical changes in how we approach the ‘other’. Because this is the kicker: to God, we all were once ‘the other’. My sin is great, my heart is heavy. I am the Other. But the hope I have is that it is no longer I who bear the burden. The grace God grants removes the burden, allows me to live forgiven and to try and make this world a better place for all others.
It is not easy. I still have insecurities and I still sin. I pound my fist and yell and scream and get angry. I weep and fume and cuss and rage. But these days, it’s almost always at God. My faith is a constant wrestling match with God and God is there to take it. I try to not let my insecurities and doubts about God fuel any sort of condemnation of others. Sometimes I fail, but thankfully, those I condemn are, like God, forgiving as well. At least I hope so, because a community cannot thrive on exclusion and condemnation. God stands for the other. So must I, because I am the other too.
This is where the Church stands, at the threshold of radical change. The Church can either choose to create communities where all ‘others’ feel welcome and loved, or we can dig in and uphold traditions that really have no relation to what God stands for. Like the woman brought before Jesus after having been caught in adultery, the Church stands broken and kneeling before Christ. Will we heed his response? Will we go and sin no more? That is what I work towards, a community where no one brings any more stones and where the love and grace of Jesus lifts us up to hope.
Jacob is a father, husband, and teacher from Chattanooga, TN. He runs, does yard work, plays video games, and tries to be a good person with marginal success in all of it. You can follow him on Twitter @Jake43083.
You can follow On Pop Theology on Twitter @OnPopTheology or like us on Facebook at www.facebook.com/OnPopTheology. If you'd like to support what we do, you can donate via the button on the right of the screen.
Image Credits:
Image #1 via Wikimedia
Image #2 via Starscream
Image #3 via Chris Smith
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The people of God have a long history of unfaithfulness. In the Prophets, Israel is painted multiple times as an unfaithful wife in relation to the jealous husband God. Graphic sexual imagery exists throughout the Hebrew Bible, once even involving a comparison to horse genitalia, in depicting the disloyalty of Israel’s adultery. Yeah, that’s our Bible, people. That imagery is intended to describe just how far Israel had strayed.
What happened? What caused Israel to stray so far? They began to rely on others in place of God, to woo the powers and nations around them to provide their safety and their comfort. And at the same time, they became obsessed with piety and judgment, to the neglect of true worship and concern for the oppressed. Yet God remained faithful despite the actions of his spouse.
Now, the church, the bride of Christ, has been equally unfaithful, arguably more unfaithful. And here I am a part of it; as someone once said, the church is a whore, but she’s my mother. If the Church is the bride of Christ, I am one of her children. I’ve been raised and nurtured by a church that uses piety to distance itself from the ones God desires to draw near. And I can say that the church has not lived up to its commitment to Christ.
But why? What caused this betrayal of the teachings of Jesus? Why did we trade the Sermon on the Mount for the Law of Judgment? On a much more intimate note, why are we okay with it?
It’s painfully simple, really. Because the church is filled with people like me: broken, sinful, guilt ridden and full of doubt. The church is unfaithful to Christ’s mission because I have been unfaithful. I am one of the legion that sin and that causes the church to sin. And by and large, instead of wrestling with these issues of sin and doubt, we hide behind piety. Sure we are sinful, but we convince ourselves that an outward show of standing up against what God condemns makes up for whatever sin is in my own life. This breeds the specter of hypocrisy that turns so many post-moderns off to church and fuels their cynicism.Rachel Held Evans expressed this sentiment so well in a recent post on CNN.com, saying, “we (millennials) want to be known for what we stand for, not what we are against.” Essentially, pounding your fist and railing about what you are against will always successfully reveal you to be a hypocrite. Because everyone sins. Let’s not allow our own insecurities drive our unfaithfulness. Easier said than done, right? Maybe, maybe not.
Grace is the key here. God stands for grace, first and foremost. It’s the constant theme, from Genesis to Revelation. And though I am complicit in being an unfaithful child of God, despite that, God still loves me. How can I not extend that same love to others?
Loving others is not simply preaching repentance as the portal to the Kingdom. Just telling someone about Jesus is not a full expression of love. Love is a relationship built up over time, enduring hurt and pain, but joy as well. It is loving another despite any choice they choose to make. And if they choose not to follow after God, still we must love them.
The balm that will heal the church is not a firmer stance against the world; it is, instead, making radical changes in how we approach the ‘other’. Because this is the kicker: to God, we all were once ‘the other’. My sin is great, my heart is heavy. I am the Other. But the hope I have is that it is no longer I who bear the burden. The grace God grants removes the burden, allows me to live forgiven and to try and make this world a better place for all others.
It is not easy. I still have insecurities and I still sin. I pound my fist and yell and scream and get angry. I weep and fume and cuss and rage. But these days, it’s almost always at God. My faith is a constant wrestling match with God and God is there to take it. I try to not let my insecurities and doubts about God fuel any sort of condemnation of others. Sometimes I fail, but thankfully, those I condemn are, like God, forgiving as well. At least I hope so, because a community cannot thrive on exclusion and condemnation. God stands for the other. So must I, because I am the other too.This is where the Church stands, at the threshold of radical change. The Church can either choose to create communities where all ‘others’ feel welcome and loved, or we can dig in and uphold traditions that really have no relation to what God stands for. Like the woman brought before Jesus after having been caught in adultery, the Church stands broken and kneeling before Christ. Will we heed his response? Will we go and sin no more? That is what I work towards, a community where no one brings any more stones and where the love and grace of Jesus lifts us up to hope.
Jacob is a father, husband, and teacher from Chattanooga, TN. He runs, does yard work, plays video games, and tries to be a good person with marginal success in all of it. You can follow him on Twitter @Jake43083.
You can follow On Pop Theology on Twitter @OnPopTheology or like us on Facebook at www.facebook.com/OnPopTheology. If you'd like to support what we do, you can donate via the button on the right of the screen.
Image Credits:
Image #1 via Wikimedia
Image #2 via Starscream
Image #3 via Chris Smith
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Monday, July 1, 2013
Bad Music Theology: "Blurred Lines" by Robin Thicke (feat. Pharrell and T.I.)
by Ben Howard
Every so often I come across a pop song so catchy that I can't stop listening to it, but with lyrics so terrible that I hate myself every time I press play. Such is the case with "Blurred Lines" by Robin Thicke. I'm contractually obligated at this point to mention that Robin is the son of TV's Alan Thicke (He's Canadian!) making him the almost-brother of uber-conservative crazy person Kirk Cameron. The 80's were fun.
Since I can't seem to stop listening to Robin Thicke's misogynistic ode to sexing up the ladies, I've decided to do the next best thing: wildly re-interpret it using theological language that has almost no connection to the intended reality of the song. Follow me as we over-interpret, under-interpret, make associations based on the most tangential of evidence and generally wreck Holy Havoc on this pop music phenomena.
This is Bad Music Theology.
If you'd like to listen to the song as you read you can find the video here. Note: Video is probably NSFW.
(Warning: strong language, sexual imagery)
Everybody get up
Everybody get up
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
Pharrell introduces himself as our herald by directing us all to "get up" for we are about to hear from an important person. He beckons us with the attention-grabbing and familiar "Hey" repeated in a treble of trebles to reassert that we should be listening closely to what we will hear.
If you can't hear what I'm trying to say
If you can't read from the same page
Maybe I'm going deaf,
Maybe I'm going blind
Maybe I'm out of my mind
With our attention suitably directed, our main speaker enters the stage. He immediately questions our ability to hear and understand, then our ability to read and comprehend. In mock indignation he questions his own abilities of comprehension. Perhaps he is "deaf" or "blind" or going out of his mind.
OK now he was close, tried to domesticate you
But you're an animal, baby it's in your nature
Just let me liberate you
Hey, hey, hey
You don't need no papers
Hey, hey, hey
That man is not your maker
Here we are given a clue into the identity of our speaker. He speaks to a woman and argues that her desires of her nature should overwhelm attempts to "domesticate" her. It is at this point that we recognize the speaker as the Serpent from the Garden of Eden addressing us as a metaphorical Eve. He wishes to "liberate" her with the fruit of the forbidden tree. She need sign no contracts, simply eat the fruit. The man, Adam, or perhaps a patriarchal reference to God, is not her "maker".
And that's why I'm gon' take a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred linesThe Serpent announces his intentions. He wishes to "take" Eve, the "good girl." He knows that she desires the fruit and he refuses to let her "get past" him. He reminds her that she is flesh and blood, full of desires and "far from plastic." Doesn't Eve, like the Serpent, "hate these blurred lines"? Doesn't Eve wish to know the truth of good and evil? Doesn't she wish to know the mind of God?
I know you want it
I know you want it
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
This second half of the chorus highlights the shadow side of the Serpent's temptation. While tempts Eve's desire to know the truth beyond "blurred lines," he also believes that she is full of lustful desires. The Serpent says that she "must wanna get nasty" and beckons her ahead to her doom.
What do they make dreams for
When you got them jeans on
What do we need steam for
You the hottest bitch in this place
The Serpent becomes increasingly cocky as his seduction continues. He appeals to the vanity of this metaphorical Eve. He rhetorically points out her desirability. Not only is she filled with animalistic desires, she spurs these desires as well.
I feel so lucky
Hey, hey, hey
You wanna hug me
Hey, hey, hey
What rhymes with hug me?
Hey, hey, hey
In these words you can sense the Serpent beckoning Eve further and further towards her doom. He begins to reveal his own motivations more and more. He is not merely trying to "liberate" and save Eve from a world of "blurred lines," the Serpent is trying to satisfy his own desires.
OK now he was close, tried to domesticate you
But you're an animal, baby it's in your nature
Just let me liberate you
Hey, hey, hey
You don't need no papers
Hey, hey, hey
That man is not your maker
Hey, hey, hey
Our speaker repeats his earlier lines, but as the narrative deepens these words taken on a darker more sinister tone. Instead of the cajoling playful sense given on first pass, they now feel predatory and verge on mocking. They are no longer words which attempt to seduce, they are words that attempt to suppress. The Serpent knows he has won over his victim, he must merely close the deal.
And that's why I'm gon' take a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I hate them lines
I know you want it
I hate them lines
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
Once again the Serpent repeats himself from earlier. However, where the earlier version seemed friendly and cajoling, this reiteration of the language is revelatory, basking in the victory of seduction and debauchery. The Serpent has conquered.
One thing I ask of youLet me be the one you back that ass to
Yo, from Malibu, to Paribu
Yeah, had a bitch, but she ain't bad as you
So hit me up when you passing through
I'll give you something big enough to tear your ass in two
Swag on, even when you dress casual
I mean it's almost unbearable
The Serpent reveals his true form as a monster and a scoundrel. Where earlier he appealed to the considerations of the woman, her desire to be a "good girl," her desire to be true to her desires and her nature, her desire to live a life beyond "blurred lines," the Serpent now reveals that all of this has been his attempt to conquer her for his own selfish ambitions. Instead of appealing to her, he now points out how he would like her to satisfy him.
Then, honey you're not there when I'm
With my foresight bitch you pay me by
Nothing like your last guy, he too square for you
He don't smack that ass and pull your hair like that
So I just watch and wait for you to salute
But you didn't pick
Not many women can refuse this pimpin'
I'm a nice guy, but don't get it if you get with me
The Serpent continues mocking his victim. He's "nothing like your last guy" for he is abusive and controlling ("wait for you to salute"). He even says that it was never a choice. She "didn't pick" because "not many women can refuse this pimpin'." Even the illusion of control has been ripped away from our victim.
Shake the vibe, get down, get up
Do it like it hurt, like it hurt
What you don't like work?
The Serpent/Satan/The Abusive One continues to mock and belittle our victim. He demands her to "shake the vibe" and mocks her for the pain she has received.
Baby can you breathe? I got this from Jamaica
It always works for me Dakota to Decatur, uh huh
No more pretending
Hey, hey, hey
Cause now you winning
Hey, hey, hey
Here's our beginning
Our speaker makes his final statement. He no longer cares for the welfare of his prey. Mockingly questioning "Baby can you breathe?" There will be "no more pretending" for this is the beginning of his reign of dominance. He has conquered his prey and taken what he wanted. He has manipulated us all to his whims.
I always wanted a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I know you want it
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
This final refrain summarizes the story and places a cynical and depressive frame around the story. This is not a tale of redemption, but is instead a warning to us all. Though many will appeal to us through our desires and wants, we must be cautious that we are not being manipulated to their abusive whims. Our desires and wants can be healthy, but they can also be the weakness which leads us into a dark and oppressive story.
Everybody get up
Everybody get up
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
Our herald returns beckoning us to listen, hear and reflect on the message of this tale.
Peace,
Ben
Ben
Howard is an accidental iconoclast and generally curious individual
living in Nashville, Tennessee. He is also the editor-in-chief of On Pop
Theology and an avid fan of waving at strangers for no reason. You can
follow him on Twitter @BenHoward87.
You can follow On Pop Theology on Twitter @OnPopTheology or like us on Facebook at www.facebook.com/OnPopTheology.
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Tuesday, March 19, 2013
Mad Men and the Power of Sin
![]() |
| Beautiful. Cynical. |
by Lyndsey Graves
I was never going to watch Mad Men. I caught about ten minutes of an episode once, channel
surfing on vacation with friends, and there was some sort of affair going on
and everyone in the TV was clearly terribly unhappy. I didn’t want to host such
misery in my own television.
Then I agreed to watch “just the first episode” and of course I was
hooked. The first season (that’s all I’ve seen) of Mad Men is beautiful, artistic, witty, and addictively voyeuristic.
But the first word I’d use to describe it is cynical. I watch the show out of love for the characters and
writing, not because it makes me feel good.
One of the most fascinating and frustrating aspects
of the characters’ intertwining storylines is that they are all a little
bewildered by their own unhappiness. Behind webs of words and actions, deceit
and hidden motives, successes and failures, lie carefully hidden layers of
sadness, need, and that distinct feeling of unbelonging – along with a kernel
of hope that these unexpressed desires will be fulfilled somehow. For each
character this dilemma is unique, but most of their stories also share a sense
that they can’t quite do what they want to do – what they know is right. The
depth of the show’s cynicism lies in the fact that no one is pretending their lies
or affairs or petty behavior are right;
it is just how things are.
![]() |
| Depravity in motion |
Mad
Men strikes
quite the contrast to the almost aggressively bright outlook on humanity I’ve
encountered from a good many people in churches. The show’s characters are
usually sympathetic, but they are not “good
people”, and at least some of them know it. This is exactly why we sympathize –
because they so evidently struggle against themselves. I think we can fairly
label this human tendency toward such selfishness, intentional or not, as
“sin”, and the writers are counting on the fact
that we can all relate to it for many of the show’s moments of greatest tension
and pathos.
Could it be that pop culture is more willing and
ready than we think to admit something about human depravity? Just how mad do
we think the men involved in this show could be? Or what about Mad Men's cable cousin,
Breaking Bad? The entire concept of that show is the slow, steady devolution of
a man. Or The Walking Dead, another AMC show, that utilizes the time-honored
zombie motif as a way to explore the depravity of humanity. In each case, there seems to be a deep
brokenness to the world, to the relationships and the characters inside of
it. The world is going crazy and they’re
drawn inexorably into it.
While this deep darkness permeates these shows, the
same isn't true in much of pop culture. Instead, there is a constant push to
refrain from calling certain destructive habits “sin” and a reaction against
value judgments overall. I understand the desire not to condemn, to look for
the best in people, to offer hope and affirmation rather than despair and
finger-pointing – and yet, at least in the social circles where I currently
find myself, the word “sin” is an unfashionable conversation-stopper to a
degree that I find dishonest.
![]() |
| Good or bad? |
It seems frustratingly glib to pretend that there is
nothing really wrong with anybody,
that the sinful are really just unfortunately misguided or environmentally
disadvantaged. At its worst, it feels absurdly privileged (a word I normally don’t like using) to assert that
people really aren’t all that bad. I don’t know any victims of generational
poverty, of child abuse, of addiction, of gang violence, who would say that.
I still bristle whenever I hear the messages of condemnation hurled down by the holier-than-me. I’m certainly not here to say that people are 100% bad, incapable of doing good – or that sin carries no elements of environmental influence or simple misunderstanding. Neither does Mad Men think so. But this world and the people in it are in dire need of redemption at some fundamental level; somewhere far beyond our own attempts to set things right. I think the world Mad Men speaks to – desperate for authenticity, for the truth beyond the layers of advertising we are all wrapped in – won’t reject us for admitting it.
Lyndsey lives and works in Syracuse, NY. She majored in theology at Lee University, which is like eating cake or listening to thunderstorms - too enjoyable to be called work. Also, no one will pay you to do it. You can follow her on Twitter @lyndseygraves and you can find more of her writing at her blog To Be Honest.
Labels:
brokenness,
Christianity,
culture,
cynicism,
depravity,
Lyndsey Graves,
Mad Men,
pop culture,
privilege,
sin,
theology
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